Hello and welcome to my mastering page! Please fill out the form below to book a mastering session. Click here for important guidelines on file types, etc. or email me with any questions. I’m here to help.

Mastering

Name

First Name

Last Name

Artist Name

Album / EP / Project Title

# of tracks

Tracklisting / Order of Songs

Please list songs in order, 1 per line, ensuring that titles are spelled & capitalized just right.

Additional Formats

I always provide 24 bit / 44.1 kHz WAV files which are perfect for most clients. In addition you may choose:

24 bit / 48 kHz WAV (video)

16 bit / 44.1 kHz WAV (CD)

MP3 (320 kbps)

Services

Ensure that instrumental & clean versions are identical in all other respects to the standard version.

Standard Master ($75 per single, or $70 per track for 2+)

Instrumental Master (+ $20 each)

Clean Version (+ $20 each)

Notes + References

What sort of sound are you going for? Crystal clear? Warm vintage? No idea? If you'd like, share 1-2 tracks that you'd like your master(s) to sound a little bit like. (I can work without references. but I love hearing what's inspired you.) Now is also the time to make any special requests: crossfades, fade-outs, noise cleanup, etc.

When do you need your masters?

I'll do my best to accommodate your needs!

Upload Mixes

Provide a direct download link. (I like: www.wetransfer.com) If you or your clients have been listening to loud/limited reference mixes, please include MP3s so I can hear what’s been approved.

Name & Email for Invoicing (if different from above)

I approve the above files, titles & tracklisting for mastering, and understand that full payment of my invoice is due before I receive my masters.

Yes - let's do this!

Submission Guidelines

FILES

Mixes should be stereo WAV or AIFF files, bounced at the same bit depth & sample rate you’ve been working at — likely 24 bit / 44.1 kHz. (MP3s aren’t suitable.)

It’s super helpful to keep your file names simple & consistent, starting with the intended track #. Note alternate versions or references after the title, e.g. 01 Weekend Weather_INSTRUMENTAL

LIMITING, ETC.

Remove any limiting, but ensure that peak levels don’t hit 0 dBFS. You don’t necessarily have to remove all bus processing — if it sounds good, it sounds good! — but less is often more. If you or your clients have been listening to loud/limited reference mixes, please include MP3s so I can hear what’s been approved.

FADES

Include an unfaded version of any songs with fades so I have the flexibility to improve or recreate them. Always leave a little silence at the top & tail of your tracks.

Mastering

Submission Guidelines

FILES

LIMITING, ETC.

FADES

the internet is not the world.